current fandom comms/events
Nov. 21st, 2025 10:18 pm
They will remain so until 11:00am UTC on 26 November.
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A conversation.

The Switch is a tiny little 1-season, 6-episode comedy about a trans woman living in Vancouver. It’s part quirky workplace comedy, part quirky roommate comedy, and part “she moves in with her ex who’s secretly an assassin, who spends the whole season trying to dodge the investigation for an executive they recently killed, but, like, in a funny way.”
Half the cast is trans, a ton of the crew is trans, so it’s a big part of the show in a way that feels genuine and natural. Even though the show in general has a fun heightened-reality vibe. (The original Kickstarter campaign mentions a sorceress character. She’s not in the final cut at all, which I kinda suspect was a broader “oops, we’re trying to stuff too much in 6 episodes, we need to cut the magic subplot” decision. But, listen, if they had made a second season where Sabrina the Teenage Witch moved in down the hall, it wouldn’t feel out-of-place.)
I watched the whole thing for free on Tubi! There are some other streaming options on their official website. They also just straight-up tell you “want to be a pirate? here are the torrents” — but give them some ad revenue, if you can.
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So I guess I’m a Hazbin Hotel fan now, huh?
FFA did a rewatch of season 1 in the leadup to season 2, so I rewatched it along with that. Then ended up watching S2 as it came out (dropping two episodes a week), because now I’m invested enough that I didn’t want spoilers.
(Couldn’t totally avoid them, because…listen, there is a deep vault of Fandom Lore here, which I have never actually looked at. So there were regular comments like “sure, we already basically knows Plot Point X, because of the leaks/interviews/character designs posted on DA in 2012” where I had no idea about X at all. It worked out fine, though, because sometimes the fandom was wrong! And I had no way to predict when.)
All the music is good, and some of it is great. Their animation budget must be incredible, and you can see it paying off — Vox Populi showcases some amazing dynamic tracking shots, and the reprise Vox Dei has them just showing off. It has the same overstuffed pacing as S1, where they’re trying to pack about a thousand different character beats into eight episodes — there are setups that never get payoffs, and payoffs to things that weren’t actually set up — but the central arc of the season does hold together, and all the individual moments are fun to watch.
There’s a recurring theme of “look, this is shameless pandering to the iddiest of fandom desires” that goes so hard, you have to respect it. The saddest woobie with the softest vulnerable heart gets manhandled in all-new ways!

The most Tumblr Sexyman spends multiple episodes tied up and gagged, strapped to a chair, in his jealous rival’s bedroom!

There are moments that honestly feel like “the show won’t bother going too deep into this, because they know they can just toss the idea in front of their audience, and wait for a million fics to fill in the gaps.” And given the size of the fandom, I don’t think they’re wrong, either.
…The size of the fandom means there’s an overwhelming number of Youtube videos. But a lot of the ones I’ve watched are, well. Bad? Like “hidden details you missed” but it just lists basic plot points, or “fixing the character designs” but it’s fixating on things that aren’t problems.
Have a few recs, because these deserve to be watched without viewers having to dig them out of the heap first:
On BBC Newshour yesterday, I heard a story (which I can't find online at the moment) about Kraftwerk's instruments and equipment going up for auction. Besides the historical value because of their association with Kraftwerk, many of these items were inherently valuable because they're rare examples of early electronic musical instruments. The vocoder used on "The Robots" sold for about $200,000. The expert they talked to said that there were only about 20-30 surviving examples of this model of vocoder. I hope that these instrument went to musicians who will put them to use and not to tech bros who'll put them on a shelf.
Due to rising tensions between China and Japan (which I am forced to admit that I was unaware of), one of the cultural disputes going on between the countries is a petition in Japan asking Aespa member Ningning (who is Chinese) not to come to Japan. At the same time, Japanese performers who have built a portion of their career in China have been going out of their way to express pro-China feelings. I'm going to have read more about this situation. If any of you have a link to an article that explains what's going on, I'd appreciate it.
In an article related to Blackpink members' performance at the Grammys, Rolling Stone referred to Blackpink as "(without a doubt) the biggest K-pop group in history, and has been for years." So of course ARMY (BTS's fandom) turning out in force, coming for Rolling Stone and bringing sales records, number of awards won, and chart performamce. the biggest K-pop group in history, and has been for years.) Within six hours, Rolling Stone had revised their article to refer to Blackpink as “the biggest K-pop girl group.” (A characterization that ONCE really ought to have something to say about.)
Weki Meki's Kim Doyeon won a Blue Dragon award (which seems to be the Korean equivalent of the Oscars), and her appearance on the red carpet caused quite a stir. The headline on one website uniquely expressed it by saying "Kim Do-yeon, Audrey Hepburn Reincarnation... a person who causes a single disease". I knew this was some sort of translation error, and asking the question on Threads led someone to clear it up for me. Apparently what they were trying (and failing) to say is that she is triggering an obsession for short bob haircuts.