2021 Yuletide Promo Post

[crantz]

Welcome to the Fandom Promo post, everyone!

Here's where you get those eyes on your fandoms for sign ups!

Share what makes your Yuletide fandoms the shiniest and why you love them. A big part of Yuletide is how small our fandoms can be, and this is a good way to make sure other people know what gems there are out there!

Suggested form to use:

<b>FANDOM NAME</b>:
<b>WHAT MAKES IT GREAT</b>:
<b>WHERE CAN I FIND IT (optional)</b>:


(Bonus optional: What are you thinking of requesting for this?)

EDIT:

Useful tips (Not required, but helps people if they want to engage with your fandom!):

- Mention what form of media the canon is. Is it a comic miniseries? Is it a twenty season tv show? Is it a book? Is it a twitter feed?
- Is it standalone or part of a series?
- It's best to make each fandom its own entry with its own title in the subject line! That makes it easier for people to find/see what you're promoting! Don't worry about 'spam', that is the entire point of this entry and you're using it exactly as intended.


For reference, last year's promo post!

Comments

[ellen_fremedon]

FANDOM NAME: Champavert: Contes Immoraux | Champavert: Immoral Tales - Pétrus Borel

WHAT MAKES IT GREAT:

Last year I requested Borel RPF but I decided this book was unfanficcable. This year, I am going to have a little more faith in the Yuletide community.

Champavert is a weird as hell little book and probably the best thing I read last year. It's an experimental short story collection from 1830. Someone on one of my Les Mis Discords described it as "a collection of gothic creepypasta, but the author is constantly clanging pots and pans together and going 'JUST IN CASE you didn't notice, the real horror was colonialism and misogyny all along and i'm very angry about it!'"

And, yeah, pretty much that, with added metafictional weirdness, intense nerding about architecture and regional languages, and the absolute delight that is Borel's righteously ebullient voice.

Borel wrote for a couple of years under the name of The Lycanthrope, and though he kills the alter ego in this book, the name stuck, and would continue to be used by friends and enemies alike all his life. Pretty much everyone who met Pétrus agreed that 1) he was just ungodly hot; 2) he was probably a werewolf, sure, that makes sense; and 3) he was definitely older than he claimed to be, possibly by centuries, possibly just immortal, who knows.

But, like I said, he kills the alter ego in this book: it begins with an introduction announcing that "Pétrus Borel" has been a pseudonym all along, that the Lycanthrope's real name is Champavert--and that the Lycanthrope is dead and these are his posthumous papers, compiled by an unnamed editor; the papers include some of Borel's actual poems and letters, published under his own name. The final story in the collection is called "Champavert, The Lycanthrope," and is situated as an autobiographical story, following a collection of fictional tales--which share thematic elements and, in the frame of the book, start to look like "Champavert"'s attempts to use fiction to come to terms with events of his own life.

And that's probably an oversimplification; this is a dense little book and it's doing a lot.

The subtitle is Contes Immoraux. It's part of a genre of "contes cruelles" (and, content note for. Um. A lot), but it's never gratuitously cruel--it's very consciously interrogating the idea of the moral story, and what sort of morality is encoded in fables, and what it means to set a story where people get what they deserve in an unjust world where that's rarely the case.

I'm nominating the unnamed editor, Champavert, his friend Jean-Louis from the introduction and the final story, and Flava from the final story; you could also nominate characters from the explicitly fictional stories.

WHERE CAN I FIND IT:

Brian Stableford's English translation is available in ebook and dead tree form.